Political Pigeons is a performance art piece by Neil Manchon that explores the intersection of politics, art, and freedom of speech. The piece involves the use of clay pigeons, typically used for skeet shooting and target practice, with round stickers of Donald Trump’s face glued to their centers.
The inspiration for Political Pigeons came from Manchon’s observation that Trump’s skin color resembles the orange hue of clay pigeons. In the piece, Manchon uses multiple funny faces of Trump to create a playful and absurd commentary on the former president’s image and politics.
Through Political Pigeons, Manchon aims to highlight the importance of freedom of speech in the United States. As he stated in an interview, “the fact that you can put Trump’s face on a clay pigeon and shoot it, that’s freedom of speech. It’s a statement.”
The piece also draws attention to the complex and often controversial relationship between art and politics. In particular, it raises questions about the limits of artistic expression and whether there are certain subjects or individuals that should be off-limits.
In light of these questions, Political Pigeons is a provocative and thought-provoking work that challenges viewers to consider the role of art in shaping our understanding of politics and society.
